INNOCENCE: Chapter Six

 

 

                              CHAPTER SIX

 

My head lolled lightly from one side to the other, almost, but not quite waking me. It was a pleasant dream, and as such, starred Maggie in the leading role. We worked together, side-by-side, in our garden. Never mind that we didn’t have a garden in real life. Mag and I had talked of it many times, and I always agreed, never actually getting around to starting one however. In the dream, I was a green-thumb; again, in real life—not so much. We spoke of little pleasant and precious things, there in our sunny garden. And I knew, with one-hundred percent clarity, that I was the luckiest man on the planet.

The pilot’s announcement finally brought me out of my brief slumber. I smiled at the best thing that had ever happened to me, and told her that I loved her. Maggie smiled wordlessly back at me, she being one of those that do not seem to be able to sleep on an airplane whatsoever. Me—I manage it in fits and bursts. It’s not a restful sleep however.

This time was no exception. By now, Maggie and I had spent enough time in the air to begin to be sick of it. The good news was that our destination was now not far off. The regional airport in Shreveport, Louisiana, to be precise. We had started our journey in a small private jet, and then a smaller yet single-engine prop. Now we were back to the other end of the spectrum—a Boeing 757-200. A good-sized aircraft in anybody’s book.

The plane was a charter, and was designed to hold a couple of hundred people. Today, it carried just two—Maggie and me—along with a flight crew of three. A pilot, co-pilot, and a hostess named Amelia. She looked around the right age to be working her way through college. Nice kid—friendly, and she did a wonderful job of keeping our coffee cups filled. She was well on her way toward a generous end-of-flight gratuity.

The plane looked like a flying cavern with its row upon row of empty seats. Maggie and I were settled in on the starboard side, in the roomier first-class section. The curtain into coach was wide open, but not a sound came from that area of the jet. It was an odd sensation—kind of like the feeling, I imagined, that a couple of survivors of some weird otherworldly thing would have, in the middle of a Stephen King horror novel.

 

 

Holman had chartered the plane, just for us. I’m a guy that doesn’t mind throwing around a bunch of money on occasion, but even I shuddered to think what it must have cost him. His own private jet was grounded in LA—the pilot a victim of an apparent case of stomach flu. Holman didn’t want to hold up my investigation, he explained. I also suspected that, once again, he didn’t mind passing up a chance to show that he was loaded.

It was what the man was made of—bravado—and big bucks.

And perhaps more than a few ulterior motives, as well.

I was learning more about him and strange sidekick as the countryside rolled by beneath us, courtesy of Wikipedia. There was plenty to read.

My initial assessment of Holman’s rise to fame was largely correct, just a bit out-of-date. He had made his rather sizable fortune in potty-humor teen comedies all right, but of late had upped his game to more substantial fare. Documentaries and historical pieces. The impetus for the late career quality upgrade was Mr. Vincent Dalgetty, the much peer-honored film star. He had met Dalgetty a few years before, and the friendship had been instant, he explained. I didn’t doubt it—where else would two egos that big have to go, but to each other.

 

 

Dalgetty had begun his acting career after just barely clearing the womb, starring first in baby product commercials, and then moving on to cute-kid cereal spots. Mom and dad—both parents and agents—were the driving force in his ascendency. Next up was a stint as a Disney kid. It was short lived however. Dalgetty might have been a darling little shaver, but apparently wasn’t aging well, and by the time he hit his late teens, the pretty-boy child actor was turning into a guy that was unlikely to snag the gal at the end of the movie. The big problemo?—he was ugly. So, he completed a sharp U-turn, and created a new career of not getting the girl—ever. What he got instead, was wildly successful, and incredibly wealthy.

In short—the guy could act, despite the stage-fright. He loved the camera’s eye, but shrunk before a live audience, turning to jelly every time. The theater was out for Mr. Dalgetty.

Now in his early fifties, he had amassed a resume of repute, and sprinkled with gold—Oscar gold. Dalgetty was known for turning down roles that were supposedly fail-proof, to take lesser parts that simply interested him. It paid off. Playing gangsters, crooked-cops, pirates, pimps, and other assorted odd-balls in everything from fantasy to docudramas. And occasionally, just for good measure—a hero—although good guys were not especially his forte. I glanced down the list of his films. I wasn’t particularly surprised to note that I had not seen any of them.

I made a mental note to try to get out to the movies more.

For a movie star, Dalgetty had engendered little scandal—another oddity.

The man we were on our way to meet in Shreveport was most decidedly not a movie star. Mr. Sabe Rees. It was a first name that I had not encountered before. I had messed it up pretty good when I spoke with his secretary earlier in the day. She had chuckled when I stumbled over it, pronouncing it “say-bee.” She corrected me immediately, even as she told me not to worry; absolutely everyone, she assured me, did exactly the same thing.

The actual pronunciation was just like “Gabe,” or “Abe,” only with a “S.” Unusual names always interest me, and as I had the Google-machine up and running, I plugged it in. An English/Welsh name, same as the surname Rees. Sabe, as it turned out, meant “Black,” and Rees, “Fiery-Warrior.” Didn’t sound much like the individual his secretary described to me. She might as well have been his professional agent and personal booster, as she told me that Mr. Rees was, “the human form of sunshine.”

I’ve known a lot of people in my life. Very few of them I would describe in such terms. Especially one that was, as Mr. Rees was, the Assistant District Attorney for the Northern District of the State of Louisiana. I’ve dealt with many a man that held that title, and putting it, along with “nice-guy,” in the same sentence was just a little bit more than oxymoronic.

 

 

His secretarial cheering section was my first surprise. The second was when she told me that Mr. Rees would be more than happy to meet with me at my convenience. “Just drop by anytime, Mr. O’Brien,” she had said. Amazing, I thought. At most District Attorney’s offices, private-investigator is a dirty word. Most times when I had dropped it, I was told to go somewhere all right, but not generally their office door.

Might turn out to be an interesting meeting, I thought.

The plane began a sharp descent in its final approach to the airport. The sky was clear and sunny, and offered a nice view of the countryside just outside Shreveport. Farms, homes, and a lot more gravel side-roads than are present in my neck of the woods. It had a friendly look to it, if such a thing can be said about scenery. Lots of bodies of water. Large, small, and long and narrow. Again, restful to the eye.

Plenty of green.

My mind drifted back to a motion picture that I had seen many years before. It was called Blue Velvet, an example of the neo-noir genre, an incredibly scary psychological horror film, and a perfect vehicle for the late, famous scenery chewing actor Dennis Hopper. The thing kept me awake for half the night after I saw it, and I’m not exactly a shrinking violet. It was set in a little fictitious burg called Lumberton, North Carolina. It’s a sweet looking place. Probably a lot of folk’s idea of the perfect spot to retire and settle down to some well-earned peace and quiet. Far from it. The opening credits roll over such bucolic scenes as the ones I watched below the belly of the plane. It’s all a façade, of course. Just under the surface of all that small-town sweetness and light, there lurks complete and utter turmoil. Not to mention a lot of pain, agony—and death.

I remembered my reading material of the night before, and the three thick dossiers enclosed in my briefcase.

I knew all is rarely ever as it seems at first glance. I knew we needed to be very careful here. I knew we were a long, long way from home.

And, I knew very well, that this place, might just be exactly like that one in the movie.

 

 

Thanks so much for reading. See you in a few days with Chapter Seven of INNOCENCE, by Lee Capp.

 

INNOCENCE by Lee Capp: Chapter Five

 

 

    CHAPTER FIVE

 

The day turned out to be a complete surprise. Over the years, I have often reflected on the fact that I am no mystic. This day had turned out to not be an exception to that rule. Only difference this time around was the way I was wrong. After our little stunt in Holman’s back yard, I was expecting a quick dissolution of our employer/employee relationship, and I can’t really say that would have broken my heart. Truth of the matter is that I’m a whole lot more comfortable working a case for an indigent for free, than I am taking a pile of money from a rich guy.

The fact that Holman had a big pile of it was again made manifest by his digs. They were grand indeed. A living room best described as majestic, up to the standards of a rather large commercial ski-lodge. Complete with mounted game-heads, bear and lion skin rugs, and cavernous fireplaces. Three of them to be exact. Holman was a big-game hunter, and apparently good at it. There were many corpus delicti. For sure, and despite what I had said, I had not expected in the morning to be sitting in his living room by evening, but that was just exactly where I was at the moment.

Meeting Hollywood Hank for the first time in a “little” group of eight was hardly what I would have imagined the way to an ideal working relationship. I had fully expected to make him a “every last cent” refund of his million dollars out there on his tarmac, and had even brought along my checkbook just for that purpose. As it turned out, the only thing that got signed away that day was my life for the next several weeks.

Turned out too that Holman knew almost as little about me as I did about him. I had least had a working idea of what the dude looked like, being a very public figure, as he was. He, on the other hand, really didn’t have a clue as to who it was that had buzzed his house and landed virtually on his back patio. Holman had hired me by reputation alone—and on the advice of one of his attorneys. I guess word of me had spread in legal, as well as law-enforcement circles.

Following the first few moments after I had announced who I was, Holman had just continued to stare at me. Then, mentally assembling all the jigsaw puzzle pieces, threw back his head and roared with laughter. For like a good solid half minute or so.

Finally bringing himself under control, he strode forward to shake my hand. Hard enough to darn near pull my arm out of its socket.

“O’Brien—I’ll be damned if that’s not the coolest entrance I’ve seen in a long, long time. Sure as hell got my attention!”

“Thanks,” I responded. “I felt a little put-off by Gerald back at the hotel, and I decided to do something about it. I needed to find out if I wanted to work for you or not.”

Holman cocked his head expectantly. “So—what do you say, O’Brien?”

“Looking good so far, Holman,” I smiled.

He pumped my arm a couple more times. “Excellent!” he thundered. “Just Hank, if you don’t mind, O’Brien. Surnames are way too formal for me.”

“Same here,” I replied. “Just Johnny—to my friends.”

“Excellent!” he roared once more, waving off the two security guards. “Friends it is then.” Holman raised his right hand to just above shoulder level and motioned to the odd-looking man standing behind him to come forward. The small man did so, obediently and immediately, just like a well-trained puppy dog.

The little guy was some piece of work—an assessment I reached even before he opened his mouth to speak for the first time. He stood motionless before me. I stuck out my hand. Reluctantly he took it. It was a sensation somewhat akin to picking up a dead wet fish. I had never much liked the experience. That was why I had given up fishing after only my first try. I still didn’t like it, and I made up my mind on the spot to avoid future hand shaking with this person at all costs.

We stared at each other for what seemed a long time. He refused to speak. After what seemed an eternity of silence, I sallied forth. Perhaps, I thought, he hadn’t heard my name clearly just a few minutes earlier.

“Very nice to meet you . . .” I ventured. Silence. “I’m Johnny O’Brien,” I tried again. Again—nothing. I went in for the third attempt. “I’m afraid I didn’t catch your name, Mister . . .” At last something seemed to register in his rather pale and at the same time insipid looking dark eyes.

“That’s because I didn’t throw it to you, Mr. O’Brien,” the odd creature said in a low-toned and somewhat sultry voice. He almost slurred his words, although I could detect no hint of alcohol. I decided it was most likely an intentional speech affectation. A thin smile formed on his lips.

I guessed that was what passed for humor with this rather unique individual. I was at a loss as to how to proceed, and simply stood there in silence blankly staring at him. Finally, Holman stepped in.

“Vincent,” he said with impatience. “Please play nice with our guests.”

“Very well,” he said, throwing back his head and rolling his eyes as he simply turned and walked away—again with the dainty, mincing, and almost lady-like steps. This time he raised both of his hands to shoulder lever—as though to increase his balance. Again, almost lady-like. I simply watched his retreat, as I mildly shook my head.

“Vincent can be an odd duck,” Holman explained, watching the creature’s retreat, a hint of distain in his voice.  “I had to accept his last Academy Award for him. Total stage fright, incredibly enough.”

“What does he do?” I innocently asked. I had him figured for a best-boy, key-grip, or something like that. Holman looked surprised.

“You don’t know who he is?” Holman asked with amazement.

“Sorry,” I explained. “I’m not a movie-buff.”

It was Holman’s turn to shake his head. “Vincent Dalgetty, Johnny. Perhaps the best known and hottest superstar in the motion picture industry today. Two Academy Awards and two more Golden Globes, and several more nominations. His last film was a Cannes favorite. It’s already being talked about as his likely third Oscar.”

 

 

“What’s it called?” I asked, trying my best to focus.

Love me to Death,” he replied.

“Murder mystery?” I asked—beginning to get a little interested.

“Hardly, Mr. O’Brien,” he said, slipping back into surnames, and sounding a bit peeved. “An examination, and an indictment of mainstream Christianity’s abhorrent treatment of women, people of color, and gays.”

I wanted to take my turn at head shaking and opinion making, but in fact I hadn’t come here to debate the “merit” of modern American film production—so I mentally bit my tongue and changed the subject.

“Sound interesting,” I faked. “But let’s get down to business, shall we, Hank? I still don’t have the slightest idea of why I’m here, or what it is you were so willing to part with a million dollars for. Frankly, I’d like to hear about it before I make my final decision as to whether I can help you or not.”

“Sounds fair, Johnny. Please, you and your companions come inside for some refreshment, and then we’ll meet—just you and I in private. Let me assure you of one thing though, before we even begin. I’m an extremely wealthy man, Mr. O’Brien. A million dollars really means nothing at all to me. But the fact of the matter is that I’m also an extremely practical man. If I’m going to spend a million dollars, it’s because of one really, very, simple fact.”

“What’s that, Mr. Holman?” I said, observing the latest surname rule.

“Because I expect to make it back well over a hundred-fold.”

“And that sounds fair to me,” I agreed. “Let’s get to work then.”

Smiling and nodding his head in agreement, complete introductions were made all around, and we headed en-masse off toward the house.

We were treated to a sumptuous lunch and later on, a dinner as well. Old Hollywood Holman, as it turned out, was quite a loquacious host—never tiring of telling us of all the rich and famous swells that had been guests in his house before us. By the time evening rolled around, Maggie had had enough, and begged off further entertainment by claiming a splitting headache, leaving me to converse with Holman by myself. Instead of that however, he just piled a mountain of reading material into my arms and wished me a good night. Morning, he said, would be soon enough for our meeting.

Vincent minced his way in and out throughout the day, but never stopped anywhere long enough to engage in conversation again. I was happy about that. The guy, quite frankly, freaked me out just a little. All in all, I reasoned, I’d rather have a pet ferret.

Now, sitting in Holman’s living room alone—the others had retired for the night, Matt and Linh having decided to return in the morning—I was reading three amazingly thick criminal court case files, one for each of three different individuals.

At last, I felt just a bit more in my natural element.

The crime was murder.

 

Thanks for reading! See you again in a few days .  .  .

 

FOR HALLOWEEN: Washington Irving’s The Legend of Sleepy Hollow

 

 

The Legend of Sleepy Hollow

 

In the bosom of one of those spacious coves which indent the eastern shore of the Hudson, at that broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail and implored the protection of Saint Nicholas, there lies a small market town which is generally known by the name of Tarry Town. This name was given by the good housewives of the adjacent country from the inveterate propensity of their husbands to linger about the village tavern on market days. Not far from this village, perhaps about two miles, there is a little valley among high hills which is one of the quietest places in the whole world. A small brook murmurs through it and, with the occasional whistle of a quail or tapping of a woodpecker, is almost the only sound that ever breaks the uniform tranquillity.

From the listless repose of the place, this sequestered glen has long been known by the name of Sleepy Hollow. Some say that the place was bewitched during the early days of the Dutch settlement; others, that an old Indian chief, the wizard of his tribe, held his powwows there before the country was discovered by Master Hendrick Hudson. Certain it is, the place still continues under the sway of some witching power that holds a spell over the minds of the descendants of the original settlers. They are given to all kinds of marvelous beliefs, are subject to trances and visions, and frequently hear music and voices in the air. The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions.

The dominant spirit that haunts this enchanted region is the apparition of a figure on horseback without a head. It is said to be the ghost of a Hessian trooper, whose head had been carried away by a cannonball in some nameless battle during the Revolutionary War, and who is ever seen by the countryfolk, hurrying along in the gloom of the night as if on the wings of the wind. Historians of those parts allege that the body of the trooper having been buried in the yard of a church at no great distance, the ghost rides forth to the scene of battle in nightly quest of his head; and that the rushing speed with which he sometimes passes along the Hollow is owing to his being in a hurry to get back to the churchyard before daybreak. The specter is known, at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow.

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It is remarkable that this visionary propensity is not confined to native inhabitants of this little retired Dutch valley, but is unconsciously imbibed by everyone who resides there for a time. However wide-awake they may have been before they entered that sleepy region, they are sure, in a little time, to inhale the witching influence of the air and begin to grow imaginative, to dream dreams, and see apparitions.

In this by-place of nature there abode, some thirty years since, a worthy wight of the name of Ichabod Crane, a native of Connecticut, who “tarried” in Sleepy Hollow for the purpose of instructing the children of the vicinity. He was tall and exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, and feet that might have served for shovels. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weathercock perched upon his spindle neck, to tell which way the wind blew. To see him striding along on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for some scarecrow eloped from a cornfield.

His schoolhouse was a low building of one large room, rudely constructed of logs. It stood in a rather lonely but pleasant situation, just at the foot of a woody hill, with a brook running close by, and a formidable birch tree growing at one end of it. From hence the low murmur of his pupils’ voices, conning over their lessons, might be heard on a drowsy summer’s day, interrupted now and then by the voice of the master in a tone of menace or command; or by the appalling sound of the birch as he urged some wrongheaded Dutch urchin along the flowery path of knowledge. All this he called “doing his duty,” and he never inflicted a chastisement without following it by the assurance, so consolatory to the smarting urchin, that “he would remember it, and thank him for it the longest day he had to live.”

When school hours were over, Ichabod was even the companion and playmate of the larger boys; and on holiday afternoons would convoy some of the smaller ones home, who happened to have pretty sisters, or good housewives for mothers, noted for the comforts of the cupboard. Indeed it behooved him to keep on good terms with his pupils. The revenue arising from his school would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder and, though lank, had the dilating powers of an anaconda. To help out his maintenance he was, according to custom in those parts, boarded and lodged at the homes of his pupils a week at a time; thus going the rounds of the neighborhood, with all his worldly effects tied up in a cotton handkerchief.

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That this might not be too onerous for his rustic patrons, he assisted the farmers occasionally by helping to make hay, mending the fences, and driving the cows from pasture. He laid aside, too, all the dominant dignity with which he lorded it in the school, and became wonderfully gentle and ingratiating. He found favor in the eyes of the mothers by petting the children, particularly the youngest, and he would sit with a child on one knee, and rock a cradle with his foot for whole hours together.

In addition to his other vocations, he was the singing master of the neighborhood, and picked up many bright shillings by instructing the young folks in psalmody. Thus, by divers little makeshifts, the worthy pedagogue got on tolerably enough and was thought, by all who understood nothing of the labor of headwork, to have a wonderfully easy life of it.

The schoolmaster is generally a man of some importance in the female circle of a rural neighborhood, being considered a kind of idle, gentlemanlike personage, of vastly superior taste and accomplishments to the rough country swains. How he would figure among the country damsels in the churchyard, between services on Sundays! – gathering grapes for them from the wild vines that overran the surrounding trees; reciting for their amusement all the epitaphs on the tombstones; while the more bashful bumpkins hung sheepishly back, envying his superior elegance and address.

He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather’s ‘History of New England Witchcraft’. His appetite for the marvelous was extraordinary. It was often his delight, after his school was dismissed, to stretch himself on the clover bordering the little brook and there con over old Mather’s direful tales in the gathering dusk. Then, as he wended his way to the farmhouse where he happened to be quartered, every sound of nature, the boding cry of the tree toad, the dreary hooting of the screech owl, fluttered his excited imagination. His only resource on such occasions was to sing psalm tunes; and the good people of Sleepy Hollow were often filled with awe at hearing his nasal melody floating along the dusky road.

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Another of his sources of fearful pleasure was to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and spluttering along the hearth, and listen to their marvelous tales of ghosts and goblins, haunted bridges and haunted houses, and particularly of the headless horseman. But if there was a pleasure in all this while snugly cuddling in the chimney corner, it was dearly purchased by the terrors of his subsequent walk homeward. How often did he shrink with curdling awe at some rushing blast, howling among the trees of a snowy night, in the idea that it was the Galloping Hessian of the Hollow!

All these, however, were mere phantoms of the dark. Daylight put mend to all these evils. He would have passed a pleasant life of it if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was — a woman.

Among the musical disciples who assembled, one evening in each week, to receive his instructions in psalmody was Katrina Van Tassel, the only child of a substantial Dutch farmer. She was a blooming lass of fresh eighteen, plump as a partridge, ripe and melting and rosy-cheeked as one of her father’s peaches, and universally famed, not merely for her beauty, but her vast expectations. She was withal a little of a coquette, as might be perceived in her dress. She wore ornaments of pure yellow gold to set off her charms, and a provokingly short petticoat to display the prettiest foot and ankle in the country round.

Ichabod Crane had a soft and foolish heart toward the sex; and it is not to be wondered at that so tempting a morsel soon found favor in his eyes, more especially after he had visited her in her paternal mansion. Old Baltus Van Tassel was a perfect picture of a thriving, contented, liberal-hearted farmer. He seldom, it is true, sent either his eyes or his thoughts beyond the boundaries of his own farm; but within those everything was snug, happy, and abundant.

 

 

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The Van Tassel stronghold was situated on the banks of the Hudson, in one of those green, sheltered, fertile nooks in which the Dutch farmers are so fond of nestling. A great elm tree spread its broad branches over it, at the foot of which bubbled up a spring of the softest and sweetest water. Hard by the farmhouse was a vast barn, every window and crevice of which seemed bursting forth with the treasures of the farm. Rows of pigeons were enjoying the sunshine on the roof. Sleek unwieldy porkers were grunting in the repose and abundance of their pens. A stately squadron of snowy geese were riding in an adjoining pond, convoying whole fleets of ducks; regiments of turkeys were gobbling through the farmyard.

The pedagogue’s mouth watered as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind’s eye he pictured to himself every roasting pig running about with an apple in his mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust.

As the enraptured Ichabod fancied all this, and as he rolled his great green eyes over the fat meadowlands, the rich fields of wheat, rye, buckwheat, and Indian corn, and the orchard, burdened with ruddy fruit, which surrounded the warm tenement of Van Tassel, his heart yearned after the damsel who was to inherit these domains, and his imagination expanded with the idea how they might be readily turned into cash, and the money invested in immense tracts of wild land, and shingle palaces in the wilderness. His busy fancy already presented to him the blooming Katrina, with a whole family of children, mounted on the top of a wagon loaded with household trumpery; and he beheld himself bestriding a pacing mare, with a colt at her heels, setting out for Kentucky, Tennessee, or the Lord knows where.

When he entered the house, the conquest of his heart was complete. It was one of those spacious farmhouses, with high-ridged but low-sloping roofs, built in the style handed down from the first Dutch settlers, the projecting eaves forming a piazza along the front. From the piazza the wondering Ichabod entered the hall, which formed the center of the mansion. Here, rows of resplendent pewter, ranged on a long dresser, dazzled his eyes. In one corner stood a huge bag of wool ready to be spun; ears of Indian corn and strings of dried apples and peaches hung in gay festoons along the walls; and a door left ajar gave him a peep into the best parlor, where the claw-footed chairs and dark mahogany tables shone like mirrors. Mock oranges and conch shells decorated the mantelpiece; strings of various colored birds’ eggs were suspended above it, and a corner cupboard, knowingly left open, displayed immense treasures of old silver and well-mended china.

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From the moment Ichabod laid his eyes upon these regions of delight, the peace of his mind was at an end, and his only study was how to win the heart of the peerless daughter of Van Tassel. In this enterprise, however, he had to encounter a host of rustic admirers, who kept a watchful and angry eye upon each other, but were ready to fly out in the common cause against any new competitor. Among these the most formidable was a burly, roaring, roistering blade of the name of Brom Van Brunt, the hero of the country round, which rang with his feats of strength and hardihood. He was broad-shouldered, with short curly black hair, and a bluff but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame, he had received the nickname of “Brom Bones.” He was famed for great skill in horsemanship; he was foremost at all races and cockfights; and, with the ascendancy which bodily strength acquires in rustic life, was the umpire in all disputes. He was always ready for either a fight or a frolic, but had more mischief and good humor than ill will in his composition. He had three or four boon companions who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. Sometimes his crew would be heard dashing along past the farmhouses at midnight, with whoop and halloo, and the old dames would exclaim, “Aye, there goes Brom Bones and his gang!”

This hero had for some time singled out the blooming Katrina for the object of his uncouth gallantries; and though his amorous toyings were something like the gentle caresses of a bear, yet it was whispered that she did not altogether discourage his hopes. Certain it is, his advances were signals for rival candidates to retire; insomuch that, when his horse was seen tied to Van Tassel’s paling on a Sunday night, all other suitors passed by in despair.

Such was the formidable rival with whom Ichabod Crane had to contend. Considering all things, a stouter man than he would have shrunk from the competition. Ichabod had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supplejack – though he bent, he never broke.

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To have taken the field openly against his rival would have been madness. Ichabod, therefore, made his advances in a quiet and gently insinuating manner. Under cover of his character of singing master, he had made frequent visits at the farmhouse, carrying on his suit with the daughter by the side of the spring under the great elm, while Balt Van Tassel sat smoking his evening pipe at one end of the piazza and his little wife plied her spinning wheel at the other.

I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. But certain it is that from the moment Ichabod Crane made his advances, the interests of Brom Bones declined; his horse was no longer seen tied at the paiings on Sunday nights, and a deadly feud gradually arose between him and the schoolmaster of Sleepy Hollow. Brom would fain have carried matters to open warfare, and Ichabod had overheard a boast by Bones that he would “double the schoolmaster up, and lay him on a shelf of his own schoolhouse”; but Ichabod was too wary to give him an opportunity. Brom had no alternative but to play off boorish practical jokes upon his rival. Bones and his gang of rough riders smoked out Ichabod’s singing school by stopping up the chimney; broke into the schoolhouse at night and turned everything topsy-turvy. But what was still more annoying, Brom took opportunities of turning him to ridicule in presence of his mistress, and had a scoundrel dog whom he taught to whine in the most ludicrous manner, and introduced as a rival of Ichabod’s to instruct Katrina in psalmody.

In this way matters went on for some time. On a fine autumnal afternoon, Ichabod, in pensive mood, sat enthroned on the lofty stool whence he usually watched all the concerns of his little schoolroom. His scholars were all busily intent upon their books, or slyly whispering behind them with one eye kept upon the master; and a kind of buzzing stillness reigned. It was suddenly interrupted by the appearance of a Negro, mounted on the back of a ragged colt. He came clattering up to the school door with an invitation to Ichabod to attend a merrymaking to be held that evening at Mynheer Van Tassel’s.

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All was now bustle and hubbub in the lately quiet schoolroom. The scholars were hurried through their lessons, without stopping at trifles; those who were tardy had a smart application now and then in the rear to quicken their speed, and the whole school was turned loose an hour before the usual time.

The gallant Ichabod now spent at least an extra half hour at his toilet, brushing and furbishing up his only suit, of rusty black. That he might make his appearance in the true style ofa cavalier, he borrowed a horse from the farmer with whom he was staying. The animal was a broken-down plow horse that had outlived almost everything but his viciousness. He was gaunt and shaggy, with a ewe neck and a head like a hammer; his rusty mane and tail were tangled and knotted with burrs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil. In his day he must have had fire and mettle, if we may judge from the name he bore of Gunpowder.

Ichabod was a suitable figure for such a steed. He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers’; he carried his whip perpendicularly in his hand, like a scepter, and, as his horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings. A small wool hat rested nearly on the top of his nose, and the skirts of his black coat fluttered out almost to the horse’s tail.

Around him nature wore that rich and golden livery which we always associate with the idea of abundance. As he jogged slowly on his way, his eye ranged with delight over the treasures of jolly autumn. On all sides he beheld vast stores of apples gathered into baskets and barrels for the market, others heaped up in rich piles for the cider press. Farther on he beheld great fields of Indian corn, and the yellow pumpkins lying beneath them, turning up their fair round bellies to the sun. He passed the fragrant buckwheat fields, and as he beheld them, soft anticipations stole over his mind of dainty slapjacks, well buttered and garnished with honey by the delicate little dimpled hand of Katrina Van Tassel. It was toward evening that Ichabod arrived at the castle of the Eleer Van Tassel, which he found thronged with the pride and flower of the adjacent country. Old farmers, a spare leathern-faced race, in homespun coats and breeches, blue stockings, huge shoes, and magnificent pewter buckles. Their brisk withered little dames, in close crimped caps, longwaisted short gowns, homespun petticoats, and gay calico pockets hanging on the outside. Buxom lasses, almost as antiquated in dress as their mothers, excepting where a straw hat, a fine ribbon, or perhaps a white frock gave symptoms of city innovation. The sons, in short square-skirted coats with rows of stupendous brass buttons, and their hair generally queued with an eelskin in the fashion of the times, eelskins being esteemed as a potent nourisher and strengthener of the hair. Brom Bones, however, was the hero of the scene, having come to the gathering on his favorite steed, Daredevil, a creature, like himself, full of mettle and mischief, and which no one but himself could manage.

 

 

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Ichabod was a kind and thankful creature, whose spirits rose with eating as some men’s do with drink. He could not help rolling his large eyes round him on the ample charms of a genuine Dutch country tea table in the sumptuous time of autumn. Such heaped-up platters of cakes and crullers of various kinds, known only to experienced Dutch housewives! And then there were apple pies and peach pies and pumpkin pies, besides slices of ham and smoked beef; and, moreover, delectable dishes of preserved plums, and peaches, and pears, and quinces, not to mention broiled shad and roasted chickens; together with bowls of milk and cream, with the motherly teapot sending up its clouds of vapor from the midst. Ichabod chuckled with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendor. Then, he thought, how soon he’d turn his back upon the old schoolhouse and snap his fingers in the face of every niggardly patron!

And now the sound of the music from the hall summoned to the dance. The musician was an old gray-headed Negro, who had been the itinerant orchestra of the neighborhood for more than half a century. His instrument was as old and battered as himself. He accompanied every movement of the bow with a motion of the head, bowing almost to the ground and stamping with his foot whenever a fresh couple were to start.

Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fiber about him was idle as his loosely hung frame in full motion went clattering about the room. How could the flogger of urchins be otherwise than animated and joyous! The lady of his heart was his partner in the dance, and smiling graciously in reply to all his amorous oglings; while Brom Bones, sorely smitten with love and jealousy, sat brooding by himself in one corner.

When the dance was at an end, Ichabod was attracted to a knot of the sager folks, who, with old Van Tassel, sat smoking at one end of the piazza, gossiping over former times, and drawing out long stories about ghosts and apparitions, mourning cries and wailings, seen and heard in the neighborhood. Some mention was made of the woman in white, who haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favorite specter of Sleepy Hollow, the Headless Horseman, who had been heard several times of late near the bridge that crossed the brook in the woody dell next to the church; and, it was said, tethered his horse nightly among the graves in the churchyard.

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The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over hill and swamp until they reached the church bridge. There the horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the treetops with a clap of thunder.

This story was matched by Brom Bones, who made light of the Galloping Hessian as an arrant jockey. He affirmed that, on returning one night from a neighboring village, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it, too; but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire.

The revel now gradually broke up. The old farmers gathered together their families in their wagons, and were heard for some time rattling along over the distant hills. Some of the damsels mounted behind their favorite swains, and their lighthearted laughter, mingling with the clatter of hoofs, echoed along the silent woodlands. Ichabod only lingered behind, according to the custom of country lovers, to have a tete-a-tete with the heiress, fully convinced that he was now on the high road to success. Something, however, I fear me, must have gone wrong, for he sallied forth, after no very great interval, with an air quite desolate and chopfallen. Oh, these women! these women! Was Katrina’s encouragement of the poor pedagogue all a mere trick to secure her conquest of his rival! Let it suffice to say, Ichabod stole forth with the air of one who had been sacking a henroost, rather than a fair lady’s heart. Without looking to the right or left, he went straight to the stable, and with several hearty cuffs and kicks, roused his steed most uncourteously.

It was the very witching time of night that Ichabod, heavy-hearted and crestfallen, pursued his travel homeward. Far below, the Tappan Zee spread its dusky waters. In the dead hush of midnight he could hear the faint barking of a watchdog from the opposite shore. The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal.

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All the stories of ghosts and goblins that he had heard earlier now came crowding upon his recollection. He would, moreover, soon be approaching the very place where many of the scenes of the ghost stories had been laid.

Just ahead, where a small brook crossed the road, a few rough logs lying side by side served for a bridge. A group of oaks and chestnuts, matted thick with wild grape-vines, threw a cavernous gloom over it. Ichabod gave Gunpowder half a score of kicks in his starveling ribs, and attempted to dash briskly across the bridge; but instead of starting forward, the perverse old animal only plunged to the opposite side of the road into a thicket of brambles. He came to a stand just by the bridge, with a suddenness that nearly sent his rider sprawling over his head. Just at this moment, in the dark shadow on the margin of the brook, Ichabod beheld something huge, misshapen, black, and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveler.

The hair of the affrighted schoolteacher rose upon his head, but, summoning up a show of courage, he demanded in stammering accents, “Who are you!” He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgeled the sides of the inflexible Gunpowder and, shutting his eyes, broke forth with involuntary fervor into a psalm tune. Just then the shadowy object of alarm put itself in motion and, with a scramble and a bound, stood at once in the middle of the road. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his waywardness.

Ichabod quickened his steed, in hopes of leaving this midnight companion behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind – the other did the same. His heart began to sink within him. There was something in the stranger’s moody silence that was appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow traveler in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horrorstruck on perceiving that he was headless! But his horror was still more increased on observing that the stranger’s head was carried before him on the pommel of the saddle.

 

 

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Ichabod’s terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping to give his companion the slip, but the specter started full jump with him. Away then they dashed, stones flying and sparks flashing at every bound. Ichabod’s flimsy garments fluttered in the air, as he stretched his long lank body away over his horse’s head in the eagerness of his flight.

They had now reached that stretch of the road which descends to Sleepy Hollow, shaded by trees for about a quarter of a mile, where it crosses the famous church bridge just before the green knoll on which stands the church.

Gunpowder, who seemed possessed with a demon, plunged headlong downhill. As yet his panic had given his unskillful rider an apparent advantage in the chase; but just as he had got halfway through the hollow, the girths of the saddle gave way, and Ichabod felt it slipping from under him. He had just time to save himself by clasping old Gunpowder round the neck when the saddle fell to the earth. He had much ado to maintain his seat, sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse’s backbone, with a violence that he feared would cleave him asunder.

An opening in the trees now cheered him with the hopes that the church bridge was at hand. He saw the whitewashed walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones’s ghostly competitor had disappeared. “If I can but reach that bridge,” thought Ichabod, “I am safe.” Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convuisive kick in the ribs, and old Gunpowder sprang upon the bridge; he thundered over the resounding planks; he gained the opposite side; and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, in the very act of hurling his head at him. Ichabod endeavored to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash – he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider passed by like a whirlwind.

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The next morning old Gunpowder was found without his saddle, and with the bridle under his feet, soberly cropping the grass at his master’s gate. Ichabod did not make his appearance at breakfast; dinner hour came, but no Ichabod. The boys assembled at the schoolhouse, and strolled idly about the banks of the brook; but no schoolmaster. An inquiry was set on foot, and after diligent investigation they came upon the saddle trampled in the dirt. The tracks of horses’ hoofs deeply dented in the road were traced to the bridge, beyond which, on the bank of a broad part of the brook, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin. The brook was searched, but the body of the schoolmaster was not to be discovered.

The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. They shook their heads, and came to the conclusion that Ichabod had been carried off by the Galloping Hessian. As he was a bachelor, and in nobody’s debt, nobody troubled his head anymore about him. It is true, an old farmer who had been down to New York on a visit several years after brought home the intelligence that Ichabod Crane was still alive; that he had only changed his quarters to a distant part of the country, had kept school and studied law at the same time, had turned politician, and finally had been made a justice of the Ten Pound Court. Brom Bones too, who shortly after his rival’s disappearance conducted the blooming Katrina to the altar, was observed to look exceedingly knowing whenever the story of Ichabod was related, and always burst into a hearty laugh at the mention of the pumpkin, which led some to suspect that he knew more about the matter than he chose to tell.

The old country wives, however, who are the best judges of these matters, maintain to this day that Ichabod was spirited away by supernatural means. The bridge became more than ever an object of superstitious awe, and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the millpond. The schoolhouse, being deserted, soon fell to decay, and was reported to be haunted by the the ghost of the unfortunate teacher; and the plowboy, loitering homeward of a still summer evening, has often fancied Ichabod’s voice at a distance, chanting a melancholy psalm tune among the tranquil solitudes of Sleepy Hollow.

 

Washington Irving

 

Thanks so much for reading.  Have an enjoyable, safe Halloween             .  .  . and happy hauntings!

 

TALES OF ENCHANTED OCTOBER: The Birthmark by Nathaniel Hawthorne

Nathaniel Hawthorne

 

 

The Birthmark

In the latter part of the last century there lived a man of science, an eminent proficient in every branch of natural philosophy, who not long before our story opens had made experience of a spiritual affinity more attractive than any chemical one. He had left his laboratory to the care of an assistant, cleared his fine countenance from the furnace smoke, washed the stain of acids from his fingers, and persuaded a beautiful woman to become his wife. In those days when the comparatively recent discovery of electricity and other kindred mysteries of Nature seemed to open paths into the region of miracle, it was not unusual for the love of science to rival the love of woman in its depth and absorbing energy. The higher intellect, the imagination, the spirit, and even the heart might all find their congenial aliment in pursuits which, as some of their ardent votaries believed, would ascend from one step of powerful intelligence to another, until the philosopher should lay his hand on the secret of creative force and perhaps make new worlds for himself. We know not whether Aylmer possessed this degree of faith in man’s ultimate control over Nature. He had devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion. His love for his young wife might prove the stronger of the two; but it could only be by intertwining itself with his love of science, and uniting the strength of the latter to his own.

Such a union accordingly took place, and was attended with truly remarkable consequences and a deeply impressive moral. One day, very soon after their marriage, Aylmer sat gazing at his wife with a trouble in his countenance that grew stronger until he spoke.

“Georgiana,” said he, “has it never occurred to you that the mark upon your cheek might be removed?”

“No, indeed,” said she, smiling; but perceiving the seriousness of his manner, she blushed deeply. “To tell you the truth it has been so often called a charm that I was simple enough to imagine it might be so.”

“Ah, upon another face perhaps it might,” replied her husband; “but never on yours. No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection.”

“Shocks you, my husband!” cried Georgiana, deeply hurt; at first reddening with momentary anger, but then bursting into tears. “Then why did you take me from my mother’s side? You cannot love what shocks you!”

To explain this conversation it must be mentioned that in the centre of Georgiana’s left cheek there was a singular mark, deeply interwoven, as it were, with the texture and substance of her face. In the usual state of her complexion–a healthy though delicate bloom–the mark wore a tint of deeper crimson, which imperfectly defined its shape amid the surrounding rosiness. When she blushed it gradually became more indistinct, and finally vanished amid the triumphant rush of blood that bathed the whole cheek with its brilliant glow. But if any shifting motion caused her to turn pale there was the mark again, a crimson stain upon the snow, in what Aylmer sometimes deemed an almost fearful distinctness. Its shape bore not a little similarity to the human hand, though of the smallest pygmy size. Georgiana’s lovers were wont to say that some fairy at her birth hour had laid her tiny hand upon the infant’s cheek, and left this impress there in token of the magic endowments that were to give her such sway over all hearts. Many a desperate swain would have risked life for the privilege of pressing his lips to the mysterious hand. It must not be concealed, however, that the impression wrought by this fairy sign manual varied exceedingly, according to the difference of temperament in the beholders. Some fastidious persons–but they were exclusively of her own sex–affirmed that the bloody hand, as they chose to call it, quite destroyed the effect of Georgiana’s beauty, and rendered her countenance even hideous. But it would be as reasonable to say that one of those small blue stains which sometimes occur in the purest statuary marble would convert the Eve of Powers to a monster. Masculine observers, if the birthmark did not heighten their admiration, contented themselves with wishing it away, that the world might possess one living specimen of ideal loveliness without the semblance of a flaw. After his marriage,–for he thought little or nothing of the matter before,–Aylmer discovered that this was the case with himself.

Had she been less beautiful,–if Envy’s self could have found aught else to sneer at,–he might have felt his affection heightened by the prettiness of this mimic hand, now vaguely portrayed, now lost, now stealing forth again and glimmering to and fro with every pulse of emotion that throbbed within her heart; but seeing her otherwise so perfect, he found this one defect grow more and more intolerable with every moment of their united lives. It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain. The crimson hand expressed the ineludible gripe in which mortality clutches the highest and purest of earthly mould, degrading them into kindred with the lowest, and even with the very brutes, like whom their visible frames return to dust. In this manner, selecting it as the symbol of his wife’s liability to sin, sorrow, decay, and death, Aylmer’s sombre imagination was not long in rendering the birthmark a frightful object, causing him more trouble and horror than ever Georgiana’s beauty, whether of soul or sense, had given him delight.

At all the seasons which should have been their happiest, he invariably and without intending it, nay, in spite of a purpose to the contrary, reverted to this one disastrous topic. Trifling as it at first appeared, it so connected itself with innumerable trains of thought and modes of feeling that it became the central point of all. With the morning twilight Aylmer opened his eyes upon his wife’s face and recognized the symbol of imperfection; and when they sat together at the evening hearth his eyes wandered stealthily to her cheek, and beheld, flickering with the blaze of the wood fire, the spectral hand that wrote mortality where he would fain have worshipped. Georgiana soon learned to shudder at his gaze. It needed but a glance with the peculiar expression that his face often wore to change the roses of her cheek into a deathlike paleness, amid which the crimson hand was brought strongly out, like a bass-relief of ruby on the whitest marble.

 

 

Late one night when the lights were growing dim, so as hardly to betray the stain on the poor wife’s cheek, she herself, for the first time, voluntarily took up the subject.

“Do you remember, my dear Aylmer,” said she, with a feeble attempt at a smile, “have you any recollection of a dream last night about this odious hand?”

“None! none whatever!” replied Aylmer, starting; but then he added, in a dry, cold tone, affected for the sake of concealing the real depth of his emotion, “I might well dream of it; for before I fell asleep it had taken a pretty firm hold of my fancy.”

“And you did dream of it?” continued Georgiana, hastily; for she dreaded lest a gush of tears should interrupt what she had to say. “A terrible dream! I wonder that you can forget it. Is it possible to forget this one expression?–‘It is in her heart now; we must have it out!’ Reflect, my husband; for by all means I would have you recall that dream.”

The mind is in a sad state when Sleep, the all-involving, cannot confine her spectres within the dim region of her sway, but suffers them to break forth, affrighting this actual life with secrets that perchance belong to a deeper one. Aylmer now remembered his dream. He had fancied himself with his servant Aminadab, attempting an operation for the removal of the birthmark; but the deeper went the knife, the deeper sank the hand, until at length its tiny grasp appeared to have caught hold of Georgiana’s heart; whence, however, her husband was inexorably resolved to cut or wrench it away.

When the dream had shaped itself perfectly in his memory, Aylmer sat in his wife’s presence with a guilty feeling. Truth often finds its way to the mind close muffled in robes of sleep, and then speaks with uncompromising directness of matters in regard to which we practise an unconscious self-deception during our waking moments. Until now he had not been aware of the tyrannizing influence acquired by one idea over his mind, and of the lengths which he might find in his heart to go for the sake of giving himself peace.

“Aylmer,” resumed Georgiana, solemnly, “I know not what may be the cost to both of us to rid me of this fatal birthmark. Perhaps its removal may cause cureless deformity; or it may be the stain goes as deep as life itself. Again: do we know that there is a possibility, on any terms, of unclasping the firm gripe of this little hand which was laid upon me before I came into the world?”

“Dearest Georgiana, I have spent much thought upon the subject,” hastily interrupted Aylmer. “I am convinced of the perfect practicability of its removal.”

“If there be the remotest possibility of it,” continued Georgiana, “let the attempt be made at whatever risk. Danger is nothing to me; for life, while this hateful mark makes me the object of your horror and disgust,–life is a burden which I would fling down with joy. Either remove this dreadful hand, or take my wretched life! You have deep science. All the world bears witness of it. You have achieved great wonders. Cannot you remove this little, little mark, which I cover with the tips of two small fingers? Is this beyond your power, for the sake of your own peace, and to save your poor wife from madness?”

“Noblest, dearest, tenderest wife,” cried Aylmer, rapturously, “doubt not my power. I have already given this matter the deepest thought–thought which might almost have enlightened me to create a being less perfect than yourself. Georgiana, you have led me deeper than ever into the heart of science. I feel myself fully competent to render this dear cheek as faultless as its fellow; and then, most beloved, what will be my triumph when I shall have corrected what Nature left imperfect in her fairest work! Even Pygmalion, when his sculptured woman assumed life, felt not greater ecstasy than mine will be.”

“It is resolved, then,” said Georgiana, faintly smiling. “And, Aylmer, spare me not, though you should find the birthmark take refuge in my heart at last.”

Her husband tenderly kissed her cheek–her right cheek–not that which bore the impress of the crimson hand.

The next day Aylmer apprised his wife of a plan that he had formed whereby he might have opportunity for the intense thought and constant watchfulness which the proposed operation would require; while Georgiana, likewise, would enjoy the perfect repose essential to its success. They were to seclude themselves in the extensive apartments occupied by Aylmer as a laboratory, and where, during his toilsome youth, he had made discoveries in the elemental powers of Nature that had roused the admiration of all the learned societies in Europe. Seated calmly in this laboratory, the pale philosopher had investigated the secrets of the highest cloud region and of the profoundest mines; he had satisfied himself of the causes that kindled and kept alive the fires of the volcano; and had explained the mystery of fountains, and how it is that they gush forth, some so bright and pure, and others with such rich medicinal virtues, from the dark bosom of the earth. Here, too, at an earlier period, he had studied the wonders of the human frame, and attempted to fathom the very process by which Nature assimilates all her precious influences from earth and air, and from the spiritual world, to create and foster man, her masterpiece. The latter pursuit, however, Aylmer had long laid aside in unwilling recognition of the truth–against which all seekers sooner or later stumble–that our great creative Mother, while she amuses us with apparently working in the broadest sunshine, is yet severely careful to keep her own secrets, and, in spite of her pretended openness, shows us nothing but results. She permits us, indeed, to mar, but seldom to mend, and, like a jealous patentee, on no account to make. Now, however, Aylmer resumed these half-forgotten investigations; not, of course, with such hopes or wishes as first suggested them; but because they involved much physiological truth and lay in the path of his proposed scheme for the treatment of Georgiana.

As he led her over the threshold of the laboratory, Georgiana was cold and tremulous. Aylmer looked cheerfully into her face, with intent to reassure her, but was so startled with the intense glow of the birthmark upon the whiteness of her cheek that he could not restrain a strong convulsive shudder. His wife fainted.

“Aminadab! Aminadab!” shouted Aylmer, stamping violently on the floor.

Forthwith there issued from an inner apartment a man of low stature, but bulky frame, with shaggy hair hanging about his visage, which was grimed with the vapors of the furnace. This personage had been Aylmer’s underworker during his whole scientific career, and was admirably fitted for that office by his great mechanical readiness, and the skill with which, while incapable of comprehending a single principle, he executed all the details of his master’s experiments. With his vast strength, his shaggy hair, his smoky aspect, and the indescribable earthiness that incrusted him, he seemed to represent man’s physical nature; while Aylmer’s slender figure, and pale, intellectual face, were no less apt a type of the spiritual element.

“Throw open the door of the boudoir, Aminadab,” said Aylmer, “and burn a pastil.”

“Yes, master,” answered Aminadab, looking intently at the lifeless form of Georgiana; and then he muttered to himself, “If she were my wife, I’d never part with that birthmark.”

When Georgiana recovered consciousness she found herself breathing an atmosphere of penetrating fragrance, the gentle potency of which had recalled her from her deathlike faintness. The scene around her looked like enchantment. Aylmer had converted those smoky, dingy, sombre rooms, where he had spent his brightest years in recondite pursuits, into a series of beautiful apartments not unfit to be the secluded abode of a lovely woman. The walls were hung with gorgeous curtains, which imparted the combination of grandeur and grace that no other species of adornment can achieve; and as they fell from the ceiling to the floor, their rich and ponderous folds, concealing all angles and straight lines, appeared to shut in the scene from infinite space. For aught Georgiana knew, it might be a pavilion among the clouds. And Aylmer, excluding the sunshine, which would have interfered with his chemical processes, had supplied its place with perfumed lamps, emitting flames of various hue, but all uniting in a soft, impurpled radiance. He now knelt by his wife’s side, watching her earnestly, but without alarm; for he was confident in his science, and felt that he could draw a magic circle round her within which no evil might intrude.

“Where am I? Ah, I remember,” said Georgiana, faintly; and she placed her hand over her cheek to hide the terrible mark from her husband’s eyes.

“Fear not, dearest!” exclaimed he. “Do not shrink from me! Believe me, Georgiana, I even rejoice in this single imperfection, since it will be such a rapture to remove it.”

“Oh, spare me!” sadly replied his wife. “Pray do not look at it again. I never can forget that convulsive shudder.”

In order to soothe Georgiana, and, as it were, to release her mind from the burden of actual things, Aylmer now put in practice some of the light and playful secrets which science had taught him among its profounder lore. Airy figures, absolutely bodiless ideas, and forms of unsubstantial beauty came and danced before her, imprinting their momentary footsteps on beams of light. Though she had some indistinct idea of the method of these optical phenomena, still the illusion was almost perfect enough to warrant the belief that her husband possessed sway over the spiritual world. Then again, when she felt a wish to look forth from her seclusion, immediately, as if her thoughts were answered, the procession of external existence flitted across a screen. The scenery and the figures of actual life were perfectly represented, but with that bewitching, yet indescribable difference which always makes a picture, an image, or a shadow so much more attractive than the original. When wearied of this, Aylmer bade her cast her eyes upon a vessel containing a quantity of earth. She did so, with little interest at first; but was soon startled to perceive the germ of a plant shooting upward from the soil. Then came the slender stalk; the leaves gradually unfolded themselves; and amid them was a perfect and lovely flower.

“It is magical!” cried Georgiana. “I dare not touch it.”

“Nay, pluck it,” answered Aylmer,–“pluck it, and inhale its brief perfume while you may. The flower will wither in a few moments and leave nothing save its brown seed vessels; but thence may be perpetuated a race as ephemeral as itself.”

But Georgiana had no sooner touched the flower than the whole plant suffered a blight, its leaves turning coal-black as if by the agency of fire.

“There was too powerful a stimulus,” said Aylmer, thoughtfully.

To make up for this abortive experiment, he proposed to take her portrait by a scientific process of his own invention. It was to be effected by rays of light striking upon a polished plate of metal. Georgiana assented; but, on looking at the result, was affrighted to find the features of the portrait blurred and indefinable; while the minute figure of a hand appeared where the cheek should have been. Aylmer snatched the metallic plate and threw it into a jar of corrosive acid.

Soon, however, he forgot these mortifying failures. In the intervals of study and chemical experiment he came to her flushed and exhausted, but seemed invigorated by her presence, and spoke in glowing language of the resources of his art. He gave a history of the long dynasty of the alchemists, who spent so many ages in quest of the universal solvent by which the golden principle might be elicited from all things vile and base. Aylmer appeared to believe that, by the plainest scientific logic, it was altogether within the limits of possibility to discover this long-sought medium; “but,” he added, “a philosopher who should go deep enough to acquire the power would attain too lofty a wisdom to stoop to the exercise of it.” Not less singular were his opinions in regard to the elixir vitae. He more than intimated that it was at his option to concoct a liquid that should prolong life for years, perhaps interminably; but that it would produce a discord in Nature which all the world, and chiefly the quaffer of the immortal nostrum, would find cause to curse.

“Aylmer, are you in earnest?” asked Georgiana, looking at him with amazement and fear. “It is terrible to possess such power, or even to dream of possessing it.”

“Oh, do not tremble, my love,” said her husband. “I would not wrong either you or myself by working such inharmonious effects upon our lives; but I would have you consider how trifling, in comparison, is the skill requisite to remove this little hand.”

At the mention of the birthmark, Georgiana, as usual, shrank as if a redhot iron had touched her cheek.

Again Aylmer applied himself to his labors. She could hear his voice in the distant furnace room giving directions to Aminadab, whose harsh, uncouth, misshapen tones were audible in response, more like the grunt or growl of a brute than human speech. After hours of absence, Aylmer reappeared and proposed that she should now examine his cabinet of chemical products and natural treasures of the earth. Among the former he showed her a small vial, in which, he remarked, was contained a gentle yet most powerful fragrance, capable of impregnating all the breezes that blow across a kingdom. They were of inestimable value, the contents of that little vial; and, as he said so, he threw some of the perfume into the air and filled the room with piercing and invigorating delight.

“And what is this?” asked Georgiana, pointing to a small crystal globe containing a gold-colored liquid. “It is so beautiful to the eye that I could imagine it the elixir of life.”

 

 

“In one sense it is,” replied Aylmer; “or, rather, the elixir of immortality. It is the most precious poison that ever was concocted in this world. By its aid I could apportion the lifetime of any mortal at whom you might point your finger. The strength of the dose would determine whether he were to linger out years, or drop dead in the midst of a breath. No king on his guarded throne could keep his life if I, in my private station, should deem that the welfare of millions justified me in depriving him of it.”

“Why do you keep such a terrific drug?” inquired Georgiana in horror.

“Do not mistrust me, dearest,” said her husband, smiling; “its virtuous potency is yet greater than its harmful one. But see! here is a powerful cosmetic. With a few drops of this in a vase of water, freckles may be washed away as easily as the hands are cleansed. A stronger infusion would take the blood out of the cheek, and leave the rosiest beauty a pale ghost.”

“Is it with this lotion that you intend to bathe my cheek?” asked Georgiana, anxiously.

“Oh, no,” hastily replied her husband; “this is merely superficial. Your case demands a remedy that shall go deeper.”

In his interviews with Georgiana, Aylmer generally made minute inquiries as to her sensations and whether the confinement of the rooms and the temperature of the atmosphere agreed with her. These questions had such a particular drift that Georgiana began to conjecture that she was already subjected to certain physical influences, either breathed in with the fragrant air or taken with her food. She fancied likewise, but it might be altogether fancy, that there was a stirring up of her system–a strange, indefinite sensation creeping through her veins, and tingling, half painfully, half pleasurably, at her heart. Still, whenever she dared to look into the mirror, there she beheld herself pale as a white rose and with the crimson birthmark stamped upon her cheek. Not even Aylmer now hated it so much as she.

To dispel the tedium of the hours which her husband found it necessary to devote to the processes of combination and analysis, Georgiana turned over the volumes of his scientific library. In many dark old tomes she met with chapters full of romance and poetry. They were the works of philosophers of the middle ages, such as Albertus Magnus, Cornelius Agrippa, Paracelsus, and the famous friar who created the prophetic Brazen Head. All these antique naturalists stood in advance of their centuries, yet were imbued with some of their credulity, and therefore were believed, and perhaps imagined themselves to have acquired from the investigation of Nature a power above Nature, and from physics a sway over the spiritual world. Hardly less curious and imaginative were the early volumes of the Transactions of the Royal Society, in which the members, knowing little of the limits of natural possibility, were continually recording wonders or proposing methods whereby wonders might be wrought.

But to Georgiana the most engrossing volume was a large folio from her husband’s own hand, in which he had recorded every experiment of his scientific career, its original aim, the methods adopted for its development, and its final success or failure, with the circumstances to which either event was attributable. The book, in truth, was both the history and emblem of his ardent, ambitious, imaginative, yet practical and laborious life. He handled physical details as if there were nothing beyond them; yet spiritualized them all, and redeemed himself from materialism by his strong and eager aspiration towards the infinite. In his grasp the veriest clod of earth assumed a soul. Georgiana, as she read, reverenced Aylmer and loved him more profoundly than ever, but with a less entire dependence on his judgment than heretofore. Much as he had accomplished, she could not but observe that his most splendid successes were almost invariably failures, if compared with the ideal at which he aimed. His brightest diamonds were the merest pebbles, and felt to be so by himself, in comparison with the inestimable gems which lay hidden beyond his reach. The volume, rich with achievements that had won renown for its author, was yet as melancholy a record as ever mortal hand had penned. It was the sad confession and continual exemplification of the shortcomings of the composite man, the spirit burdened with clay and working in matter, and of the despair that assails the higher nature at finding itself so miserably thwarted by the earthly part. Perhaps every man of genius in whatever sphere might recognize the image of his own experience in Aylmer’s journal.

So deeply did these reflections affect Georgiana that she laid her face upon the open volume and burst into tears. In this situation she was found by her husband.

 

 

“It is dangerous to read in a sorcerer’s books,” said he with a smile, though his countenance was uneasy and displeased. “Georgiana, there are pages in that volume which I can scarcely glance over and keep my senses. Take heed lest it prove as detrimental to you.”

“It has made me worship you more than ever,” said she.

“Ah, wait for this one success,” rejoined he, “then worship me if you will. I shall deem myself hardly unworthy of it. But come, I have sought you for the luxury of your voice. Sing to me, dearest.”

So she poured out the liquid music of her voice to quench the thirst of his spirit. He then took his leave with a boyish exuberance of gayety, assuring her that her seclusion would endure but a little longer, and that the result was already certain. Scarcely had he departed when Georgiana felt irresistibly impelled to follow him. She had forgotten to inform Aylmer of a symptom which for two or three hours past had begun to excite her attention. It was a sensation in the fatal birthmark, not painful, but which induced a restlessness throughout her system. Hastening after her husband, she intruded for the first time into the laboratory.

The first thing that struck her eye was the furnace, that hot and feverish worker, with the intense glow of its fire, which by the quantities of soot clustered above it seemed to have been burning for ages. There was a distilling apparatus in full operation. Around the room were retorts, tubes, cylinders, crucibles, and other apparatus of chemical research. An electrical machine stood ready for immediate use. The atmosphere felt oppressively close, and was tainted with gaseous odors which had been tormented forth by the processes of science. The severe and homely simplicity of the apartment, with its naked walls and brick pavement, looked strange, accustomed as Georgiana had become to the fantastic elegance of her boudoir. But what chiefly, indeed almost solely, drew her attention, was the aspect of Aylmer himself.

He was pale as death, anxious and absorbed, and hung over the furnace as if it depended upon his utmost watchfulness whether the liquid which it was distilling should be the draught of immortal happiness or misery. How different from the sanguine and joyous mien that he had assumed for Georgiana’s encouragement!

“Carefully now, Aminadab; carefully, thou human machine; carefully, thou man of clay!” muttered Aylmer, more to himself than his assistant. “Now, if there be a thought too much or too little, it is all over.”

“Ho! ho!” mumbled Aminadab. “Look, master! look!”

Aylmer raised his eyes hastily, and at first reddened, then grew paler than ever, on beholding Georgiana. He rushed towards her and seized her arm with a gripe that left the print of his fingers upon it.

“Why do you come hither? Have you no trust in your husband?” cried he, impetuously. “Would you throw the blight of that fatal birthmark over my labors? It is not well done. Go, prying woman, go!”

“Nay, Aylmer,” said Georgiana with the firmness of which she possessed no stinted endowment, “it is not you that have a right to complain. You mistrust your wife; you have concealed the anxiety with which you watch the development of this experiment. Think not so unworthily of me, my husband. Tell me all the risk we run, and fear not that I shall shrink; for my share in it is far less than your own.”

“No, no, Georgiana!” said Aylmer, impatiently; “it must not be.”

“I submit,” replied she calmly. “And, Aylmer, I shall quaff whatever draught you bring me; but it will be on the same principle that would induce me to take a dose of poison if offered by your hand.”

“My noble wife,” said Aylmer, deeply moved, “I knew not the height and depth of your nature until now. Nothing shall be concealed. Know, then, that this crimson hand, superficial as it seems, has clutched its grasp into your being with a strength of which I had no previous conception. I have already administered agents powerful enough to do aught except to change your entire physical system. Only one thing remains to be tried. If that fail us we are ruined.”

“Why did you hesitate to tell me this?” asked she.

“Because, Georgiana,” said Aylmer, in a low voice, “there is danger.”

“Danger? There is but one danger–that this horrible stigma shall be left upon my cheek!” cried Georgiana. “Remove it, remove it, whatever be the cost, or we shall both go mad!”

“Heaven knows your words are too true,” said Aylmer, sadly. “And now, dearest, return to your boudoir. In a little while all will be tested.”

He conducted her back and took leave of her with a solemn tenderness which spoke far more than his words how much was now at stake. After his departure Georgiana became rapt in musings. She considered the character of Aylmer, and did it completer justice than at any previous moment. Her heart exulted, while it trembled, at his honorable love–so pure and lofty that it would accept nothing less than perfection nor miserably make itself contented with an earthlier nature than he had dreamed of. She felt how much more precious was such a sentiment than that meaner kind which would have borne with the imperfection for her sake, and have been guilty of treason to holy love by degrading its perfect idea to the level of the actual; and with her whole spirit she prayed that, for a single moment, she might satisfy his highest and deepest conception. Longer than one moment she well knew it could not be; for his spirit was ever on the march, ever ascending, and each instant required something that was beyond the scope of the instant before.

The sound of her husband’s footsteps aroused her. He bore a crystal goblet containing a liquor colorless as water, but bright enough to be the draught of immortality. Aylmer was pale; but it seemed rather the consequence of a highly-wrought state of mind and tension of spirit than of fear or doubt.

“The concoction of the draught has been perfect,” said he, in answer to Georgiana’s look. “Unless all my science have deceived me, it cannot fail.”

“Save on your account, my dearest Aylmer,” observed his wife, “I might wish to put off this birthmark of mortality by relinquishing mortality itself in preference to any other mode. Life is but a sad possession to those who have attained precisely the degree of moral advancement at which I stand. Were I weaker and blinder it might be happiness. Were I stronger, it might be endured hopefully. But, being what I find myself, methinks I am of all mortals the most fit to die.”

“You are fit for heaven without tasting death!” replied her husband “But why do we speak of dying? The draught cannot fail. Behold its effect upon this plant.”

On the window seat there stood a geranium diseased with yellow blotches, which had overspread all its leaves. Aylmer poured a small quantity of the liquid upon the soil in which it grew. In a little time, when the roots of the plant had taken up the moisture, the unsightly blotches began to be extinguished in a living verdure.

“There needed no proof,” said Georgiana, quietly. “Give me the goblet I joyfully stake all upon your word.”

“Drink, then, thou lofty creature!” exclaimed Aylmer, with fervid admiration. “There is no taint of imperfection on thy spirit. Thy sensible frame, too, shall soon be all perfect.”

She quaffed the liquid and returned the goblet to his hand.

“It is grateful,” said she with a placid smile. “Methinks it is like water from a heavenly fountain; for it contains I know not what of unobtrusive fragrance and deliciousness. It allays a feverish thirst that had parched me for many days. Now, dearest, let me sleep. My earthly senses are closing over my spirit like the leaves around the heart of a rose at sunset.”

She spoke the last words with a gentle reluctance, as if it required almost more energy than she could command to pronounce the faint and lingering syllables. Scarcely had they loitered through her lips ere she was lost in slumber. Aylmer sat by her side, watching her aspect with the emotions proper to a man the whole value of whose existence was involved in the process now to be tested. Mingled with this mood, however, was the philosophic investigation characteristic of the man of science. Not the minutest symptom escaped him. A heightened flush of the cheek, a slight irregularity of breath, a quiver of the eyelid, a hardly perceptible tremor through the frame,–such were the details which, as the moments passed, he wrote down in his folio volume. Intense thought had set its stamp upon every previous page of that volume, but the thoughts of years were all concentrated upon the last.

While thus employed, he failed not to gaze often at the fatal hand, and not without a shudder. Yet once, by a strange and unaccountable impulse he pressed it with his lips. His spirit recoiled, however, in the very act, and Georgiana, out of the midst of her deep sleep, moved uneasily and murmured as if in remonstrance. Again Aylmer resumed his watch. Nor was it without avail. The crimson hand, which at first had been strongly visible upon the marble paleness of Georgiana’s cheek, now grew more faintly outlined. She remained not less pale than ever; but the birthmark with every breath that came and went, lost somewhat of its former distinctness. Its presence had been awful; its departure was more awful still. Watch the stain of the rainbow fading out the sky, and you will know how that mysterious symbol passed away.

“By Heaven! it is well-nigh gone!” said Aylmer to himself, in almost irrepressible ecstasy. “I can scarcely trace it now. Success! success! And now it is like the faintest rose color. The lightest flush of blood across her cheek would overcome it. But she is so pale!”

He drew aside the window curtain and suffered the light of natural day to fall into the room and rest upon her cheek. At the same time he heard a gross, hoarse chuckle, which he had long known as his servant Aminadab’s expression of delight.

“Ah, clod! ah, earthly mass!” cried Aylmer, laughing in a sort of frenzy, “you have served me well! Matter and spirit–earth and heaven –have both done their part in this! Laugh, thing of the senses! You have earned the right to laugh.”

These exclamations broke Georgiana’s sleep. She slowly unclosed her eyes and gazed into the mirror which her husband had arranged for that purpose. A faint smile flitted over her lips when she recognized how barely perceptible was now that crimson hand which had once blazed forth with such disastrous brilliancy as to scare away all their happiness. But then her eyes sought Aylmer’s face with a trouble and anxiety that he could by no means account for.

“My poor Aylmer!” murmured she.

“Poor? Nay, richest, happiest, most favored!” exclaimed he. “My peerless bride, it is successful! You are perfect!”

“My poor Aylmer,” she repeated, with a more than human tenderness, “you have aimed loftily; you have done nobly. Do not repent that with so high and pure a feeling, you have rejected the best the earth could offer. Aylmer, dearest Aylmer, I am dying!”

Alas! it was too true! The fatal hand had grappled with the mystery of life, and was the bond by which an angelic spirit kept itself in union with a mortal frame. As the last crimson tint of the birthmark–that sole token of human imperfection–faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight. Then a hoarse, chuckling laugh was heard again! Thus ever does the gross fatality of earth exult in its invariable triumph over the immortal essence which, in this dim sphere of half development, demands the completeness of a higher state. Yet, had Alymer reached a profounder wisdom, he need not thus have flung away the happiness which would have woven his mortal life of the selfsame texture with the celestial. The momentary circumstance was too strong for him; he failed to look beyond the shadowy scope of time, and, living once for all in eternity, to find the perfect future in the present.

 

 

Thanks for reading!

 

TALES OF ENCHANTED OCTOBER: The Minister’s Black Veil

 

By Nathaniel Hawthorne

 

 

The Minister’s Black Veil

A Parable

 

THE SEXTON stood in the porch of Milford meeting-house, pulling busily at the bell-rope. The old people of the village came stooping along the street. Children, with bright faces, tripped merrily beside their parents, or mimicked a graver gait, in the conscious dignity of their Sunday clothes. Spruce bachelors looked sidelong at the pretty maidens, and fancied that the Sabbath sunshine made them prettier than on week days. When the throng had mostly streamed into the porch, the sexton began to toll the bell, keeping his eye on the Reverend Mr. Hooper’s door. The first glimpse of the clergyman’s figure was the signal for the bell to cease its summons.

“But what has good Parson Hooper got upon his face?” cried the sexton in astonishment.

All within hearing immediately turned about, and beheld the semblance of Mr. Hooper, pacing slowly his meditative way towards the meeting-house. With one accord they started, expressing more wonder than if some strange minister were coming to dust the cushions of Mr. Hooper’s pulpit.

“Are you sure it is our parson?” inquired Goodman Gray of the sexton.

“Of a certainty it is good Mr. Hooper,” replied the sexton. “He was to have exchanged pulpits with Parson Shute, of Westbury; but Parson Shute sent to excuse himself yesterday, being to preach a funeral sermon.”

The cause of so much amazement may appear sufficiently slight. Mr. Hooper, a gentlemanly person, of about thirty, though still a bachelor, was dressed with due clerical neatness, as if a careful wife had starched his band, and brushed the weekly dust from his Sunday’s garb. There was but one thing remarkable in his appearance. Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil. On a nearer view it seemed to consist of two folds of crape, which entirely concealed his features, except the mouth and chin, but probably did not intercept his sight, further than to give a darkened aspect to all living and inanimate things. With this gloomy shade before him, good Mr. Hooper walked onward, at a slow and quiet pace, stooping somewhat, and looking on the ground, as is customary with abstracted men, yet nodding kindly to those of his parishioners who still waited on the meeting-house steps. But so wonder-struck were they that his greeting hardly met with a return.

“I can’t really feel as if good Mr. Hooper’s face was behind that piece of crape,” said the sexton.

“I don’t like it,” muttered an old woman, as she hobbled into the meeting-house. “He has changed himself into something awful, only by hiding his face.”

“Our parson has gone mad!” cried Goodman Gray, following him across the threshold.

rumor of some unaccountable phenomenon had preceded Mr. Hooper into the meeting-house, and set all the congregation astir. Few could refrain from twisting their heads towards the door; many stood upright, and turned directly about; while several little boys clambered upon the seats, and came down again with a terrible racket. There was a general bustle, a rustling of the women’s gowns and shuffling of the men’s feet, greatly at variance with that hushed repose which should attend the entrance of the minister. But Mr. Hooper appeared not to notice the perturbation of his people. He entered with an almost noiseless step, bent his head mildly to the pews on each side, and bowed as he passed his oldest parishioner, a white-haired great-grandsire, who occupied an arm-chair in the centre of the aisle. It was strange to observe how slowly this venerable man became conscious of something singular in the appearance of his pastor. He seemed not fully to partake of the prevailing wonder, till Mr. Hooper had ascended the stairs, and showed himself in the pulpit, face to face with his congregation, except for the black veil. That mysterious emblem was never once withdrawn. It shook with his measured breath, as he gave out the psalm; it threw its obscurity between him and the holy page, as he read the Scriptures; and while he prayed, the veil lay heavily on his uplifted countenance. Did he seek to hide it from the dread Being whom he was addressing?

Such was the effect of this simple piece of crape, that more than one woman of delicate nerves was forced to leave the meeting-house. Yet perhaps the pale-faced congregation was almost as fearful a sight to the minister, as his black veil to them.

Mr. Hooper had the reputation of a good preacher, but not an energetic one: he strove to win his people heavenward by mild, persuasive influences, rather than to drive them thither by the thunders of the Word. The sermon which he now delivered was marked by the same characteristics of style and manner as the general series of his pulpit oratory. But there was something, either in the sentiment of the discourse itself, or in the imagination of the auditors, which made it greatly the most powerful effort that they had ever heard from their pastor’s lips. It was tinged, rather more darkly than usual, with the gentle gloom of Mr. Hooper’s temperament. The subject had reference to secret sin, and those sad mysteries which we hide from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them. A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought. Many spread their clasped hands on their bosoms. There was nothing terrible in what Mr. Hooper said, at least, no violence; and yet, with every tremor of his melancholy voice, the hearers quaked. An unsought pathos came hand in hand with awe. So sensible were the audience of some unwonted attribute in their minister, that they longed for a breath of wind to blow aside the veil, almost believing that a stranger’s visage would be discovered, though the form, gesture, and voice were those of Mr. Hooper.

At the close of the services, the people hurried out with indecorous confusion, eager to communicate their pent-up amazement, and conscious of lighter spirits the moment they lost sight of the black veil. Some gathered in little circles, huddled closely together, with their mouths all whispering in the centre; some went homeward alone, wrapt in silent meditation; some talked loudly, and profaned the Sabbath day with ostentatious laughter. A few shook their sagacious heads, intimating that they could penetrate the mystery; while one or two affirmed that there was no mystery at all, but only that Mr. Hooper’s eyes were so weakened by the midnight lamp, as to require a shade. After a brief interval, forth came good Mr. Hooper also, in the rear of his flock. Turning his veiled face from one group to another, he paid due reverence to the hoary heads, saluted the middle aged with kind dignity as their friend and spiritual guide, greeted the young with mingled authority and love, and laid his hands on the little children’s heads to bless them. Such was always his custom on the Sabbath day. Strange and bewildered looks repaid him for his courtesy. None, as on former occasions, aspired to the honor of walking by their pastor’s side. Old Squire Saunders, doubtless by an accidental lapse of memory, neglected to invite Mr. Hooper to his table, where the good clergyman had been wont to bless the food, almost every Sunday since his settlement. He returned, therefore, to the parsonage, and, at the moment of closing the door, was observed to look back upon the people, all of whom had their eyes fixed upon the minister. A sad smile gleamed faintly from beneath the black veil, and flickered about his mouth, glimmering as he disappeared.

“How strange,” said a lady, “that a simple black veil, such as any woman might wear on her bonnet, should become such a terrible thing on Mr. Hooper’s face!”

“Something must surely be amiss with Mr. Hooper’s intellects,” observed her husband, the physician of the village. “But the strangest part of the affair is the effect of this vagary, even on a sober-minded man like myself. The black veil, though it covers only our pastor’s face, throws its influence over his whole person, and makes him ghostlike from head to foot. Do you not feel it so?”

“Truly do I,” replied the lady; “and I would not be alone with him for the world. I wonder he is not afraid to be alone with himself!”

“Men sometimes are so,” said her husband.

The afternoon service was attended with similar circumstances. At its conclusion, the bell tolled for the funeral of a young lady. The relatives and friends were assembled in the house, and the more distant acquaintances stood about the door, speaking of the good qualities of the deceased, when their talk was interrupted by the appearance of Mr. Hooper, still covered with his black veil. It was now an appropriate emblem. The clergyman stepped into the room where the corpse was laid, and bent over the coffin, to take a last farewell of his deceased parishioner. As he stooped, the veil hung straight down from his forehead, so that, if her eyelids had not been closed forever, the dead maiden might have seen his face. Could Mr. Hooper be fearful of her glance, that he so hastily caught back the black veil? A person who watched the interview between the dead and living, scrupled not to affirm, that, at the instant when the clergyman’s features were disclosed, the corpse had slightly shuddered, rustling the shroud and muslin cap, though the countenance retained the composure of death. A superstitious old woman was the only witness of this prodigy. From the coffin Mr. Hooper passed into the chamber of the mourners, and thence to the head of the staircase, to make the funeral prayer. It was a tender and heart-dissolving prayer, full of sorrow, yet so imbued with celestial hopes, that the music of a heavenly harp, swept by the fingers of the dead, seemed faintly to be heard among the saddest accents of the minister. The people trembled, though they but darkly understood him when he prayed that they, and himself, and all of mortal race, might be ready, as he trusted this young maiden had been, for the dreadful hour that should snatch the veil from their faces. The bearers went heavily forth, and the mourners followed, saddening all the street, with the dead before them, and Mr. Hooper in his black veil behind.

“Why do you look back?” said one in the procession to his partner.

had a fancy,” replied she, “that the minister and the maiden’s spirit were walking hand in hand.”

“And so had I, at the same moment,” said the other.

That night, the handsomest couple in Milford village were to be joined in wedlock. Though reckoned a melancholy man, Mr. Hooper had a placid cheerfulness for such occasions, which often excited a sympathetic smile where livelier merriment would have been thrown away. There was no quality of his disposition which made him more beloved than this. The company at the wedding awaited his arrival with impatience, trusting that the strange awe, which had gathered over him throughout the day, would now be dispelled. But such was not the result. When Mr. Hooper came, the first thing that their eyes rested on was the same horrible black veil, which had added deeper gloom to the funeral, and could portend nothing but evil to the wedding. Such was its immediate effect on the guests that a cloud seemed to have rolled duskily from beneath the black crape, and dimmed the light of the candles. The bridal pair stood up before the minister. But the bride’s cold fingers quivered in the tremulous hand of the bridegroom, and her deathlike paleness caused a whisper that the maiden who had been buried a few hours before was come from her grave to be married. If ever another wedding were so dismal, it was that famous one where they tolled the wedding knell. After performing the ceremony, Mr. Hooper raised a glass of wine to his lips, wishing happiness to the new-married couple in a strain of mild pleasantry that ought to have brightened the features of the guests, like a cheerful gleam from the hearth. At that instant, catching a glimpse of his figure in the looking-glass, the black veil involved his own spirit in the horror with which it overwhelmed all others. His frame shuddered, his lips grew white, he spilt the untasted wine upon the carpet, and rushed forth into the darkness. For the Earth, too, had on her Black Veil.

The next day, the whole village of Milford talked of little else than Parson Hooper’s black veil. That, and the mystery concealed behind it, supplied a topic for discussion between acquaintances meeting in the street, and good women gossiping at their open windows. It was the first item of news that the tavern-keeper told to his guests. The children babbled of it on their way to school. One imitative little imp covered his face with an old black handkerchief, thereby so affrighting his playmates that the panic seized himself, and he well-nigh lost his wits by his own waggery.

It was remarkable that of all the busybodies and impertinent people in the parish, not one ventured to put the plain question to Mr. Hooper, wherefore he did this thing. Hitherto, whenever there appeared the slightest call for such interference, he had never lacked advisers, nor shown himself adverse to be guided by their judgment. If he erred at all, it was by so painful a degree of self-distrust, that even the mildest censure would lead him to consider an indifferent action as a crime. Yet, though so well acquainted with this amiable weakness, no individual among his parishioners chose to make the black veil a subject of friendly remonstrance. There was a feeling of dread, neither plainly confessed nor carefully concealed, which caused each to shift the responsibility upon another, till at length it was found expedient to send a deputation of the church, in order to deal with Mr. Hooper about the mystery, before it should grow into a scandal. Never did an embassy so ill discharge its duties. The minister received them with friendly courtesy, but became silent, after they were seated, leaving to his visitors the whole burden of introducing their important business. The topic, it might be supposed, was obvious enough. There was the black veil swathed round Mr. Hooper’s forehead, and concealing every feature above his placid mouth, on which, at times, they could perceive the glimmering of a melancholy smile. But that piece of crape, to their imagination, seemed to hang down before his heart, the symbol of a fearful secret between him and them. Were the veil but cast aside, they might speak freely of it, but not till then. Thus they sat a considerable time, speechless, confused, and shrinking uneasily from Mr. Hooper’s eye, which they felt to be fixed upon them with an invisible glance. Finally, the deputies returned abashed to their constituents, pronouncing the matter too weighty to be handled, except by a council of the churches, if, indeed, it might not require a general synod.

But there was one person in the village unappalled by the awe with which the black veil had impressed all beside herself. When the deputies returned without an explanation, or even venturing to demand one, she, with the calm energy of her character, determined to chase away the strange cloud that appeared to be settling round Mr. Hooper, every moment more darkly than before. As his plighted wife, it should be her privilege to know what the black veil concealed. At the minister’s first visit, therefore, she entered upon the subject with a direct simplicity, which made the task easier both for him and her. After he had seated himself, she fixed her eyes steadfastly upon the veil, but could discern nothing of the dreadful gloom that had so overawed the multitude: it was but a double fold of crape, hanging down from his forehead to his mouth, and slightly stirring with his breath.

“No,” said she aloud, and smiling, “there is nothing terrible in this piece of crape, except that it hides a face which I am always glad to look upon. Come, good sir, let the sun shine from behind the cloud. First lay aside your black veil: then tell me why you put it on.”

Mr. Hooper’s smile glimmered faintly.

“There is an hour to come,” said he, “when all of us shall cast aside our veils. Take it not amiss, beloved friend, if I wear this piece of crape till then.”

“Your words are a mystery, too,” returned the young lady. “Take away the veil from them, at least.”

“Elizabeth, I will,” said he, “so far as my vow may suffer me. Know, then, this veil is a type and a symbol, and I am bound to wear it ever, both in light and darkness, in solitude and before the gaze of multitudes, and as with strangers, so with my familiar friends. No mortal eye will see it withdrawn. This dismal shade must separate me from the world: even you, Elizabeth, can never come behind it!”

 

 

“What grievous affliction hath befallen you,” she earnestly inquired, “that you should thus darken your eyes forever?”

“If it be a sign of mourning,” replied Mr. Hooper, “I, perhaps, like most other mortals, have sorrows dark enough to be typified by a black veil.”

“But what if the world will not believe that it is the type of an innocent sorrow?” urged Elizabeth. “Beloved and respected as you are, there may be whispers that you hide your face under the consciousness of secret sin. For the sake of your holy office, do away this scandal!”

The color rose into her cheeks as she intimated the nature of the rumors that were already abroad in the village. But Mr. Hooper’s mildness did not forsake him. He even smiled again–that same sad smile, which always appeared like a faint glimmering of light, proceeding from the obscurity beneath the veil.

“If I hide my face for sorrow, there is cause enough,” he merely replied; “and if I cover it for secret sin, what mortal might not do the same?”

And with this gentle, but unconquerable obstinacy did he resist all her entreaties. At length Elizabeth sat silent. For a few moments she appeared lost in thought, considering, probably, what new methods might be tried to withdraw her lover from so dark a fantasy, which, if it had no other meaning, was perhaps a symptom of mental disease. Though of a firmer character than his own, the tears rolled down her cheeks. But, in an instant, as it were, a new feeling took the place of sorrow: her eyes were fixed insensibly on the black veil, when, like a sudden twilight in the air, its terrors fell around her. She arose, and stood trembling before him.

“And do you feel it then, at last?” said he mournfully.

She made no reply, but covered her eyes with her hand, and turned to leave the room. He rushed forward and caught her arm.

“Have patience with me, Elizabeth!” cried he, passionately. “Do not desert me, though this veil must be between us here on earth. Be mine, and hereafter there shall be no veil over my face, no darkness between our souls! It is but a mortal veil–it is not for eternity! O! you know not how lonely I am, and how frightened, to be alone behind my black veil. Do not leave me in this miserable obscurity forever!”

“Lift the veil but once, and look me in the face,” said she.

“Never! It cannot be!” replied Mr. Hooper.

“Then farewell!” said Elizabeth.

She withdrew her arm from his grasp, and slowly departed, pausing at the door, to give one long shuddering gaze, that seemed almost to penetrate the mystery of the black veil. But, even amid his grief, Mr. Hooper smiled to think that only a material emblem had separated him from happiness, though the horrors, which it shadowed forth, must be drawn darkly between the fondest of lovers.

From that time no attempts were made to remove Mr. Hooper’s black veil, or, by a direct appeal, to discover the secret which it was supposed to hide. By persons who claimed a superiority to popular prejudice, it was reckoned merely an eccentric whim, such as often mingles with the sober actions of men otherwise rational, and tinges them all with its own semblance of insanity. But with the multitude, good Mr. Hooper was irreparably a bugbear. He could not walk the street with any peace of mind, so conscious was he that the gentle and timid would turn aside to avoid him, and that others would make it a point of hardihood to throw themselves in his way. The impertinence of the latter class compelled him to give up his customary walk at sunset to the burial ground; for when he leaned pensively over the gate, there would always be faces behind the gravestones, peeping at his black veil. A fable went the rounds that the stare of the dead people drove him thence. It grieved him, to the very depth of his kind heart, to observe how the children fled from his approach, breaking up their merriest sports, while his melancholy figure was yet afar off. Their instinctive dread caused him to feel more strongly than aught else, that a preternatural horror was interwoven with the threads of the black crape. In truth, his own antipathy to the veil was known to be so great, that he never willingly passed before a mirror, nor stooped to drink at a still fountain, lest, in its peaceful bosom, he should be affrighted by himself. This was what gave plausibility to the whispers, that Mr. Hooper’s conscience tortured him for some great crime too horrible to be entirely concealed, or otherwise than so obscurely intimated. Thus, from beneath the black veil, there rolled a cloud into the sunshine, an ambiguity of sin or sorrow, which enveloped the poor minister, so that love or sympathy could never reach him. It was said that ghost and fiend consorted with him there. With self-shudderings and outward terrors, he walked continually in its shadow, groping darkly within his own soul, or gazing through a medium that saddened the whole world. Even the lawless wind, it was believed, respected his dreadful secret, and never blew aside the veil. But still good Mr. Hooper sadly smiled at the pale visages of the worldly throng as he passed by.

Among all its bad influences, the black veil had the one desirable effect, of making its wearer a very efficient clergyman. By the aid of his mysterious emblem–for there was no other apparent cause–he became a man of awful power over souls that were in agony for sin. His converts always regarded him with a dread peculiar to themselves, affirming, though but figuratively, that, before he brought them to celestial light, they had been with him behind the black veil. Its gloom, indeed, enabled him to sympathize with all dark affections. Dying sinners cried aloud for Mr. Hooper, and would not yield their breath till he appeared; though ever, as he stooped to whisper consolation, they shuddered at the veiled face so near their own. Such were the terrors of the black veil, even when Death had bared his visage! Strangers came long distances to attend service at his church, with the mere idle purpose of gazing at his figure, because it was forbidden them to behold his face. But many were made to quake ere they departed! Once, during Governor Belcher’s administration, Mr. Hooper was appointed to preach the election sermon. Covered with his black veil, he stood before the chief magistrate, the council, and the representatives, and wrought so deep an impression that the legislative measures of that year were characterized by all the gloom and piety of our earliest ancestral sway.

In this manner Mr. Hooper spent a long life, irreproachable in outward act, yet shrouded in dismal suspicions; kind and loving, though unloved, and dimly feared; a man apart from men, shunned in their health and joy, but ever summoned to their aid in mortal anguish. As years wore on, shedding their snows above his sable veil, he acquired a name throughout the New England churches, and they called him Father Hooper. Nearly all his parishioners, who were of mature age when he was settled, had been borne away by many a funeral: he had one congregation in the church, and a more crowded one in the churchyard; and having wrought so late into the evening, and done his work so well, it was now good Father Hooper’s turn to rest.

Several persons were visible by the shaded candle-light, in the death chamber of the old clergyman. Natural connections he had none. But there was the decorously grave, though unmoved physician, seeking only to mitigate the last pangs of the patient whom he could not save. There were the deacons, and other eminently pious members of his church. There, also, was the Reverend Mr. Clark, of Westbury, a young and zealous divine, who had ridden in haste to pray by the bedside of the expiring minister. There was the nurse, no hired handmaiden of death, but one whose calm affection had endured thus long in secrecy, in solitude, amid the chill of age, and would not perish, even at the dying hour. Who, but Elizabeth! And there lay the hoary head of good Father Hooper upon the death pillow, with the black veil still swathed about his brow, and reaching down over his face, so that each more difficult gasp of his faint breath caused it to stir. All through life that piece of crape had hung between him and the world: it had separated him from cheerful brotherhood and woman’s love, and kept him in that saddest of all prisons, his own heart; and still it lay upon his face, as if to deepen the gloom of his darksome chamber, and shade him from the sunshine of eternity.

For some time previous, his mind had been confused, wavering doubtfully between the past and the present, and hovering forward, as it were, at intervals, into the indistinctness of the world to come. There had been feverish turns, which tossed him from side to side, and wore away what little strength he had. But in his most convulsive struggles, and in the wildest vagaries of his intellect, when no other thought retained its sober influence, he still showed an awful solicitude lest the black veil should slip aside. Even if his bewildered soul could have forgotten, there was a faithful woman at his pillow, who, with averted eyes, would have covered that aged face, which she had last beheld in the comeliness of manhood. At length the death-stricken old man lay quietly in the torpor of mental and bodily exhaustion, with an imperceptible pulse, and breath that grew fainter and fainter, except when a long, deep, and irregular inspiration seemed to prelude the flight of his spirit.

The minister of Westbury approached the bedside.

“Venerable Father Hooper,” said he, “the moment of your release is at hand. Are you ready for the lifting of the veil that shuts in time from eternity?”

Father Hooper at first replied merely by a feeble motion of his head; then, apprehensive, perhaps, that his meaning might be doubtful, he exerted himself to speak.

“Yea,” said he, in faint accents, “my soul hath a patient weariness until that veil be lifted.”

“And is it fitting,” resumed the Reverend Mr. Clark, “that a man so given to prayer, of such a blameless example, holy in deed and thought, so far as mortal judgment may pronounce; is it fitting that a father in the church should leave a shadow on his memory, that may seem to blacken a life so pure? I pray you, my venerable brother, let not this thing be! Suffer us to be gladdened by your triumphant aspect as you go to your reward. Before the veil of eternity be lifted, let me cast aside this black veil from your face!”

And thus speaking, the Reverend Mr. Clark bent forward to reveal the mystery of so many years. But, exerting a sudden energy, that made all the beholders stand aghast, Father Hooper snatched both his hands from beneath the bedclothes, and pressed them strongly on the black veil, resolute to struggle, if the minister of Westbury would contend with a dying man.

“Never!” cried the veiled clergyman. “On earth, never!”

“Dark old man!” exclaimed the affrighted minister, “with what horrible crime upon your soul are you now passing to the judgment?”

Father Hooper’s breath heaved; it rattled in his throat; but, with a mighty effort, grasping forward with his hands, he caught hold of life, and held it back till he should speak. He even raised himself in bed; and there he sat, shivering with the arms of death around him, while the black veil hung down, awful at that last moment, in the gathered terrors of a lifetime. And yet the faint, sad smile, so often there, now seemed to glimmer from its obscurity, and linger on Father Hooper’s lips.

“Why do you tremble at me alone?” cried he, turning his veiled face round the circle of pale spectators. “Tremble also at each other! Have men avoided me, and women shown no pity, and children screamed and fled, only for my black veil? What, but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a Black Veil!”

While his auditors shrank from one another, in mutual affright, Father Hooper fell back upon his pillow, a veiled corpse, with a faint smile lingering on the lips. Still veiled, they laid him in his coffin, and a veiled corpse they bore him to the grave. The grass of many years has sprung up and withered on that grave, the burial stone is moss-grown, and good Mr. Hooper’s face is dust; but awful is still the thought that it mouldered beneath the Black Veil!

NOTE. Another clergyman in New England, Mr. Joseph Moody, of York, Maine, who died about eighty years since, made himself remarkable by the same eccentricity that is here related of the Reverend Mr. Hooper. In his case, however, the symbol had a different import. In early life he had accidentally killed a beloved friend; and from that day till the hour of his own death, he hid his face from men.

 

Nathaniel Hawthorne

 

Thanks for reading. We’ll be back soon with another creepy October tale .  .  .

 

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